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Thread: New York Dolls

  1. #21
    Stuck on the Border TimothyBFan's Avatar
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    Default Re: New York Dolls

    It's on page 78 of Take It to the Limit
    See- that's what I get for not reading all the books that I have bought over the years about them. One of these days maybe I will actually crack open one of these books and read them but I doubt it. I'm still waiting for all of their individual autobiographies that I know they will eventually write!
    He sings it high, he plays it low

  2. #22
    Border Rebel Lisa's Avatar
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    Default Re: New York Dolls

    I have the book, and I just read (reread) the paragraph. Of course, it could also be the "Take It To The Limit" writer's interpretation of the event and the times in the music media! No real way of knowing. Marc Eliot's narrative writing style does seem to include the possiblility of a writer's own thinking in developing readable, engaging paragraphs! I like reading about the early Eagles and their road to national recognition and acceptance.

    I don't know whether it is possible to gauge the media's reaction to the Eagles as being due simply to a stage comment. The media, (not only in one specific region, as is desribed and discussed in the "Take It To The Limit" paragraph on p.78; but also within the U.S.) has had its "bad criticism/negativity" runs with other groups (not only the Eagles) that have also been tremendouly popular and musically capable. Sometimes the music critics don't seem to readily accept or identify themselves with the mainstream acts on the U.S. touring and recording rosters. They often seem to try to find a novel direction in music, or to identify with acts that are exceptions to the popular mind of the public, rather than with the most popular acts to the public. The overly-critical articles, and concert and album reviews may be due to a music critic's identification process--to what the critic expects from musical shows and recordings--instead of due to any particular act on its own merits; and the exposition of the articles may be critically negative and unreceptive to an act, no matter what the given act eventually comes to mean to the record-buying and performance-going public.

    However, if I had put my all into my act and into my recording and performing career, and if I then were to read all of those negative comments about my ability as an artist; my feelings would have probably been really hurt! And, that is, nonetheless to all of the popularity, attention, and opinions.
    But, music criticism; the record-buying public; comcertgoers; and the force of the popular mind tends to fall hard when it comes to the individual performer or act, at least at times.
    Last edited by Lisa; 01-30-2011 at 05:41 PM.

  3. #23
    Administrator sodascouts's Avatar
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    Default Re: New York Dolls

    Well-said, Lisa.

    Quote Originally Posted by TimothyBFan View Post
    I had not heard about the Eagles put down of the Dolls and would love to hear that story. I'm afraid I'd have to disagree with them being nothing more than a band that were made famous by the way they dressed and having no talent.
    I hope no one is getting what Glenn said mixed up with the opinion of the original poster. Here's all that is said in To The Limit:

    [Set up: In 1973, the Eagles were opening for Jethro Tull - a pairing that was not ideal considering their disparate styles.]
    "Predictably, on most nights the still-unknown Eagles were met at best with indifference by crowds waiting impatiently for Tull to come roaring onto the stage. At one point, a frustrated Glenn Frey put down a noisy, impatient Madison Square Garden audience by telling it what he thought of its "hip" hometown and one of its so-called happening groups, the New York Dolls, an ad-lib that did nothing to endear the Eagles to the city's rock fans. [...] Also in the audience that night was the cream of the New York critics. [...] [The Eagles were] slammed the next day in the press because of Frey's comment."
    We don't even know what exactly Glenn said, at least not by this account. Is there one elsewhere?

    Also, as Lisa says, Eliot might be stretching it to blame years of negative reviews from New York critics on this one incident, as he does after relating this story.

    Always in our hearts, Never forgotten

  4. #24
    Stuck on the Border
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    Default Re: New York Dolls

    All I can remember is that Rolling Stone made a comment about the band's uneasy relationship with East Coast critics which dated from when the band 'denounced' the New York Dolls on stage. Rolling Stone is famous for its (mostly) sneering dismissal of the Eagles and its uncritical adulation of acts from the East Coast such as Bruce Springsteen. The Eagles never fitted into Rolling Stone's romanticisation of rock being from 'the street' and only relevant if the songs were about 'the street'.

  5. #25
    Administrator sodascouts's Avatar
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    Default Re: New York Dolls

    I'm glad you said that, FP, because initially I thought that the mention of the NYD diss had come from Rolling Stone but figured I must have been wrong. Sure enough, though, when I went back to look at the 1979 article, I found this:
    "Their relationship with their audience is the best it has ever been but remains odd. Except for Frey announcing, 'We're the Eagles from Los Angeles, California,' they do not talk to the people. (Perhaps after setting the tone for their foul relations with East Coast critics by denouncing the New York Dolls in New York in 1973, they are afraid that if they open their mouths they will denounce beer in Milwaukee.)"
    However, Eliot's account has more narrative flair.

    The Rolling Stone article also contains several disses from Glenn and Don Henley about punk rock in general, with Don almost getting into an altercation with a punk rock singer fronting a band called The Rubber City Rebels at the Troubadour. Interesting stuff!

    An example that occurs while both Glenn and Irving Azoff are suffering from the flu:
    "Throwing up is my least-favorite thing in the world," moans Frey.

    "I wish I could throw up," groans Azoff.

    "Well, why don't you have Charlie here [referring to Charles Young, the author of the Rolling Stone article] play you one of his punk-rock cassettes?" suggests Frey, near death but unerring in his instinct for endearing himself to New York rock critics.
    LOL.

    And another zinger from Glenn as they watch the aforementioned punk band Rubber City Rebels play at the Troubadour:
    "I think any Flying Burrito Brother could whip any Rubber City Rebel."
    There are more but you get the idea.

    Always in our hearts, Never forgotten

  6. #26
    Stuck on the Border TimothyBFan's Avatar
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    Default Re: New York Dolls

    Quote Originally Posted by sodascouts View Post

    I hope no one is getting what Glenn said mixed up with the opinion of the original poster. Here's all that is said in To The Limit:
    No worries there--I got it.

    Thanks for giving us the exact quote from the book (I had yet to make my way to my stash to hunt down the book and check it out myself). And if that's the whole reason why this discussion was started and got rather ugly at times, I have to agree that it sounds more like the authors interpretation and in no way says that that is exactly what Glenn said in the first place.

    Just another one of those things that will never be cleared up regarding the Eagles unless they finally put it all down in their own words someday.
    He sings it high, he plays it low

  7. #27
    Out on the Border
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    Default Re: New York Dolls

    Well. I haven't been on here in a while and now all this. I didn't know it would cause a such a ruckus. Anyway, thanks for the responses with the book citations, that was informative.

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