Originally Posted by
Tom Szaroleta The Times-Union, Tuesday, April 5, 2005
They take it to the limit – and that’s why they’re the champs
It was one of those goosebump moments you experience when a good concert suddenly becomes really good. The Eagles were lined up on stools across the stage at Jacksonville Veterans Memorial Arena, doing a handful of acoustic numbers, when Glenn Frey took the microphone.
"All alone at the end of the evening
And the bright lights have faded to blue …"
On the original version of 'Take It To the Limit', Frey wasn’t even the singer; former bass player Randy Meisner was. But that didn’t matter to the 17,000 or so people in the arena. It was an Eagles song, Frey’s an Eagle and he made the song his own.
The Eagles, the kings of the laid-back Southern California sound, have come out on top in our contest to find the greatest American rock ‘n roll band, beating 63 competitors to claim the crown.
There are those who’d argue that the Eagles are not even a rock band. For much of their career, that might have been true. But then they brought in a couple of hotshot guitar players, Don Felder and Joe Walsh, started putting out songs like 'James Dean' and 'Victim of Love', and the debate was over. The Eagles could rock. Besides “It doesn’t have to be hard rock,” wrote one Eagles fan, “to be rock.”
Here are 10 reasons why they deserve the title of greatest American rock band.
1. Joe Walsh. The dude can’t sing to save his life, but he’s rock ‘n roll personified. He was a big solo star before joining the band, while he was in band and during the long period when they were broken up. And his fingerprints are all over 'Life in the Fast Lane', the Eagles hardest rocking tune.
2. They let the music do the talking. In concert, there are no explosions, no laser shows, no confetti falling from the ceiling. They just stand there and play, but the songs are so compelling that you walk out of the concert thinking maybe $126 for a ticket wasn’t so outrageous after all.
3. Oh, those harmonies. Walsh, Frey, Meisner, Don Henley, Bernie Leadon, and Timothy B. Schmit all sang lead at one point or another. But when you got to the chorus and those three- or four-part harmonies kicked in, it was like a punch in the gut.
4. The Eagles were never a one-trick pony. They played Memphis soul on 'The Long Run', hard rock on 'Life in the Fast Lane', bluegrass on 'Midnight Flyer', folk on 'Seven Bridges Road', country on 'Tequila Sunrise'.
5. Their sound is timeless. 'Good Day In Hell' sounds as good on CD as it did on 8-track, vinyl and cassette. And our grandkids are going to be listening to 'Desperado' and 'Take It Easy'.
6. They’re 50-something and cool with that.
7. They’ve always been at least as interesting offstage as on. Walsh has run for president several times; Frey did a guest shot on 'Miami Vice'; and, in 1980, a teenage hooker overdosed in Henley’s hotel room. And if that ain’t rock ‘n roll, nothing is.
8. If you were alive in the ‘70s, you know most of their songs by heart. Love ‘em or hate ‘em, they were inescapable.
9. The band is greater than the sum of its parts. Henley, Walsh and Frey have all had very successful solo careers, and everyone who has ever been in the band has put out at least one solo album. But none of the solo work was as good as what they could do when they worked together.
10. Has there ever been a better guitar solo than the one in 'Hotel California'?
So, as the man says:
"Put me on a highway
And show me a sign
And take it to the limit one more time."